著绘者： 乔恩•艾吉(Jon Agee) 美国知名作家、插画家、剧作家、作词人。在纽约的哈德逊河畔长大，从小就喜欢创作图画书和侦探漫画。高中时期，大部分时间都泡在画室里。大学就读于柯柏高等科学艺术联盟学院，其间他学习绘画、玩动画制作、拍艺术电影。1982年，出版了第一本图画书，并视桑达克为自己图画书创作上的点灯人。莫里斯很欣赏他的作品，不仅预言他会得凯迪克大奖，还收藏了他的画作。 他的作品充满了智慧、幽默与想象，风格温馨、线条简约，自成一格，并获得许多荣誉。代表作《好极了!》《我要买“什么都没有”》《米罗的帽子魔术》由本社出版。 四十多年来，作者几乎走遍了全美国的学校和图书馆，和孩子们聊天、画画。他说：“无论孩子在什么年龄段，我对他们的期望都是一样的：充分发挥你们的想象力，无论何时何地，都能享受讲故事和画画乐趣。” 译者： 柳漾 新浪微博“柳树在说话...(展开全部)

Milo the Magnificent's magic act isn't so magnificent after all, until he meets a bear who teaches him the secret to the perfect hat trick in this classic and critically acclaimed picture book, perfect for fans of Oliver Jeffers and Jon Klassen   Milo the Magnificent is the world’s least magnificent magician. He can't even pull a rabbit out of his hat! When Mr. Popovich gives h...(展开全部)

Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her ground-breaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire genera--t...(展开全部)

As a director, you must have a concept, a "director's idea", to shape your approach to the actors, the camera, and the script. With this clear idea your film will be deeper and more effective, and you will be able to differentiate--and therefore make the choice--between competent directing and great directing. Using case studies of famous directors as real-world examples of "di...(展开全部)

As a director, you must have a concept, a "director's idea", to shape your approach to the actors, the camera, and the script. With this clear idea your film will be deeper and more effective, and you will be able to differentiate--and therefore make the choice--between competent directing and great directing. Using case studies of famous directors as real-world examples of "di...(展开全部)

作者简介 奥蒂·波克(Audie Bock)，20世纪美国著名电影研究学者，在日本生活多年，翻译黑泽明自传，撰写成濑巳喜男导演专论。 译者简介 张汉辉，笔名连城，杂志编辑，业余从事翻译，译作有《小津》、《乡关何处贾樟柯的故乡三部曲》、《日本恐怖电影》等。

Written by best-selling Author Tom King! One of the most celebrated comic books of the century, collected in full alongside an expansive array of special features! Vision wants to be human, and what's more human than family? So he heads back to the beginning - to the laboratory where Ultron created him as a weapon. The place where he first rebelled against his given destiny and...(展开全部)

Written by best-selling Author Tom King! One of the most celebrated comic books of the century, collected in full alongside an expansive array of special features! Vision wants to be human, and what's more human than family? So he heads back to the beginning - to the laboratory where Ultron created him as a weapon. The place where he first rebelled against his given destiny and...(展开全部)

埃里克·舍曼,出生于洛杉矶，成长在好莱坞的制片厂里，现任教于加利福尼亚艺术学院，曾在几家主要的好莱坞电影公司担任制片主管，与一些好莱坞顶尖级的编剧、制片和导演一起工作，成功地保证了许多电影在预算的资金和时间之内出品。从1976年开始，除了与一些工作室合作之外，埃里克还拥有和经营着一个电影公司Film Transform，全面涵盖了电影和视频制作的业务。他的著作包括四本广泛使用的教科书：《导演电影》（Directing the Film）、The Director's Event、Frame By Frame和Selling Your Film。